We’re back with our hundred and first episode, and this one’s a good one. Grief is inevitable in our brief human lives, so it’s only fitting that there’s horror movies about it! Rhias Hall and Jennifer Lovely discuss their favorites from the poignant to the wacky, and a mysterious voice calls out from below with forgotten wisdom, all for your listening pleasure!

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Welcome back! Joining us for another episode of Don’t Read the Latin is Jillian Venters from Gothic Charm School! This time, in the wake of election results that are arguably more terrifying than any movie we’ve ever discussed, we decided to get our feminist rant on and sat down to talk about The Monstrous Feminine — the idea of women as monsters in horror movies and pop culture.

Along the way, we discuss Gothic romance novels, Halloween Horror Nights at Universal Studios, the role that Mad Max: Fury Road played in the beginning of Jen’s relationship with Handsome Boyfriend Jim, and we wonder why the hell Marvel keeps burying pretty actors under way too much prosthetic makeup, and we wrap it all up with the topic of older women having a voice and taking up space in our society. We don’t necessarily do a great job of sticking rigidly to our topic in this episode, but we sure hope you’ll think it’s an interesting conversation. Check it out.

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Bibliography
Books we mention in this episode:

• The Monstrous-Feminine: Film, Feminism, Psychoanalysis, by Barbara Creed
• Men, Women and Chain Saws: Gender in the Modern Horror Film, by Carol J. Clover
• Monstrous Bodies: Feminine Power in Young Adult Horror Fiction, by June Pulliam
• Bad Dreams, by Kim Newman
• Angels of Music, by Kim Newman

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Mister Babadook
As mentioned in this episode, Jen’s copy of the crowdfunded prop replica/movie tie-in book from The Babadook has finally arrived! Here are some pictures of just how gorgeous it is. Click to embiggen:

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Hail to the King — namely, Stephen King, that household name of horror, the Maine Man himself! As any horror fan will tell you, Stephen King has had more than his fair share of movie adaptations, not all of them good. Well — maybe, most of them really not that good. But! We persevered here at DRtL, and dove right into our retrospective. We mostly remembered King’s films as being fairly light, fun, popcorn movies — but join us as we realize how wrong we were, and just how many of the genuinely horrifying aspects of human nature are lurking under the surface of King’s work, like a clown in a sewer.

Not to say we didn’t have fun with the topic. See for yourself. Or, I guess, hear for yourself!

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